From collectible design to intelligent ecosystems: Milan Design Week 2026 outlines trends for the next decade Cattelan Italia - photo Temenouzhka Zaharieva Milan Design Week is the most important moment of the year for the world of design – it is here that professionals and enthusiasts gather not only to discover new products, but also to exchange knowledge, to be informed and, ultimately, to do business. It turns every corner of the city into a stage for bold ideas, surprising installations and projects that shape the direction of interior design for the coming months. The event is so vast that even seven days are not enough to cover everything – from the main fair, the Salone del Mobile at Rho Fiera, to the Fuorisalone – the dozens of exhibitions and installations scattered throughout the city. Milan Design Week is not really “about furniture”. It is a fascinating cultural phenomenon that uses furniture as its medium and predicts how we will live, work and connect in the next de...

"I don't want to create trendy products; my aim is to make companions for your whole life". Тhis is how Sebastian Herkner explains his approach to work, which, in turn, explains his success. The young German is among the industry's most acclaimed designers these days. He launched his enormously successful Bell Table for the traditional company ClassiCon in 2012, but he has also collaborated with many of the top international furniture brands, including Moroso, Pulpo, De Vorm, and Nanoo.
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While he was still a product design student at the Offenbach University of Art and Design, Sebastian began to focus on designing objects and furniture which link different cultural contexts and combine new technologies with traditional methods of craftsmanship. His 2010 reddot design award winner Bell-Table is a prime example of this approach. A fascinating combination of materials and harmonious lines, it is a masterpiece of traditional craftsman’s art. Here is how Herkner describes the process of its creation: "I set out to turn the usual way of seeing glass tables upside down: in the case of the Bell Table, it is not simply a matter of a glass slab on a metal foot, but the foot is itself made of glass on which the metal body then lies."
Sebastian Herkner's sensitivity is clearly visible in his work, bringing forth and emphasizing function, material and detail. His products also show a desire to interpret characteristics from various contexts of society and culture, as well as to implement them in new artifacts.
Bell Side Table
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*This is my article published earlier on Clippings.com

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